THE ARGUMENT FROM BEAUTY
Another character in the Aldous Huxley novel just mentioned
proved the existence of God by playing Beethoven's string quartet
no. 15 in A minor ('heiliger Dankgesang') on a gramophone.
Unconvincing as that sounds, it does represent a popular strand of
argument. I have given up counting the number of times I receive
the more or less truculent challenge: 'How do you account for
Shakespeare, then?' (Substitute Schubert, Michelangelo, etc. to
taste.) The argument will be so familiar, I needn't document it
further. But the logic behind it is never spelled out, and the more
you think about it the more vacuous you realize it to be. Obviously
Beethoven's late quartets are sublime. So are Shakespeare's sonnets.
They are sublime if God is there and they are sublime if he isn't. They
do not prove the existence of God; they prove the existence of
Beethoven and of Shakespeare. A great conductor is credited with
saying: 'If you have Mozart to listen to, why would you need God?'
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