- Joined
- Feb 23, 2005
- Messages
- 89,382
"A photographer went to a socialite party in New York. As he entered the front door, the host said 'I love your pictures they're wonderful; you must have a fantastic camera.' He said nothing until dinner was finished, then: 'That was a wonderful dinner; you must have a terrific stove." –– Sam Haskins
Well actually it is much easier to make food, particularly baked goods, in a high quality oven.
Bwana, if that statement wasn't true, why do you have a lot of very expensive kit?
I think in his case it would be more for work purposes? Shooting sport at night is a killer
Nonsense. If you ask around one of the main reasons pro's buy pro gear is it's more reliable and durable than consumer or pro-sumer grade gear, not because it magically takes better photos. It's the indian, not the arrow. Sure there is some specialist gear for specialist tasks so I'm taking in general here.Look, we've all taken good photos with cheap equipment... and we know a bad photographer cannot take great photo's with expensive equipment, but for a good photographer to consistently take exceptional photos, he needs the right pro kit.
in reality - the majority of consumers will never be as good as the gear they're currently using
Would you have been able to take them with an inexpensive prime like a 50mm with a lower level consumer level body like a 600d?I think I'm far head of my camera ...
Jokes aside - I wouldn't have been able to get any of the band photo's with my SX1. I also wouldn't have been able to get my waterdrop shot with any of the camera's before that.
I do think equipment has a lot to do with it IMO.
Nonsense.
This is why I'm saying that for a good photographer to consistently take exceptional photos, he needs the right pro kit. You can't really argue with that...
I think someone who knows the limitations of his mediocre kit, and knows how to work within those limitations, will consistently take exceptional pics.