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After leading Ministry for over 40 years, Al Jourgensen has decided the time has come to step away. In an open interview on Full Metal Jackie (transcribed by Loudwire), Jourgensen discussed the reasons behind his choice to bring the band to an end — emphasizing that it’s not due to personal drama or health concerns.

“My ears are tired from music,” Jourgensen said. “The reason I say that, and that's the reason I'm ending Ministry, it's not so much for any health reasons or any kind of band conflicts or anything like that. It's just that my ears are tired. I'm starting to find myself really slapping myself on the wrist, not repeating stuff that I've done before, and trying to keep going further. It gets harder as you keep going.” Even though many fans might assume this would be a bittersweet ending, Jourgensen made it clear that the music is still strong. “That's not to say the next album won't be great, because it already is. We're halfway done, and it sounds amazing. Amazing. But just saying that it's a different kind of vibe. It's more like a job now as opposed to having youthful enthusiasm.”

Jourgensen’s latest project, The Squirrely Years Revisited, sees him revisiting his early synth-rock style — something he once swore never to return to. Interestingly, it was his bandmates who encouraged the change. “The band had been talking about doing this for a while, but they knew I hated this stuff,” he said. “So, they reworked a bunch of stuff and then ambushed me after a show before Zombie on the tour bus and played me this stuff when they knew I was good and dr*nk.” He described his shock upon hearing the revamped material: “They played this stuff and I was just like, ‘Who's this?’ And they're like, ‘That's you st*pid.’ I'm like, ‘Oh!,’ cause I haven't heard those songs in 40 years.” Rather than simply reviving old tracks from With Sympathy, Jourgensen emphasized it was more about reshaping how these songs are remembered. “Once you listen to it, you realize, ‘Oh, yeah, that's that song from With Sympathy.’ But it's just got a new kick in the pants to it" – even more remarkable is the fact that these tracks had to be completely rebuilt – “Yes, I did actually burn the master tapes. I had a barbecue, and, man, that was just horrible smelling.”

The project also led to an unexpected shift in his feelings toward the music. “Yeah, actually, I do [like some of them now],” he said. “There's a couple of the early pop hits, even before With Sympathy… One of them is called ‘I'll Do Anything For You,’ and that one is a good pop song. I can't believe that wasn't even on the record.” Songs such as “Revenge” and “Effigy” have been reinterpreted with a sound more reminiscent of arena rock. Ministry’s farewell tour includes performances with Nitzer Ebb, My Life With The Thrill Kill Kult, and Die Krupps — a lineup with personal significance for Jourgensen. “Thrill Kill Cult, I used to be in a band with their lead singer Frankie Fun before Ministry. So it all kind of ties in.”

Jourgensen is approaching the end of Ministry with a clear sense of purpose. “This is just like one final album and tour, putting a bow on it and having Paul Barker come back into the band.” Barker, who played a crucial role during Ministry’s key industrial years, has rejoined Jourgensen for the final record. “Paul Barker was an integral part of that, and he's part of these recordings now as well. So, yeah, I'm just putting a nice little bow on a nice little career.”

Although Jourgensen is retiring Ministry, his commitment to activism remains as strong as ever. “Democracy is under threat, and so everyone should pay attention. If you like this system or if you don't, I would suggest maybe going to live in an autocratic country for a while and voicing your opinions and see how that goes over.” Even though he’s stepping back from touring, he’s not abandoning creativity. He has shifted focus to composing for films, including an upcoming documentary about the mistreatment of Indigenous people in Oklahoma. “I did the whole score and also a song or two that's coming out from the record… it's called Long Knife.”

So, what lies ahead for Al Jourgensen? A bit of everything — and nothing. “I might now be able to sleep a full eight hours at night and enjoy my swimming pool and just kind of chill out. I really don't have any plans outside of just doing art, like just canvases and stuff like that.”

 
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Suede have announced details of their tenth studio album Antidepressants, set for release on September 5th, 2025.
Announcing the news, the band’s frontman Brett Anderson said: “If Autofiction was our punk record, Antidepressants is our post-punk record. It’s about the tensions of modern life, the paranoia, the anxiety, the neurosis.”
 
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Notably, this is not the first time Private Function has pulled an unusual vinyl stunt. Lambgoat pointed you that for their previous album, 370HSSV 0773H, the band released a limited edition version of the album that was pressed using the band members’ urine.
 
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Suede returns with their tenth studio album, 'Antidepressants', set for release on September 5, 2025. Building upon the raw energy of 2022's critically acclaimed 'Autofiction', this new record delves deeper into post-punk territories, capturing the complexities of modern existence.
Frontman Brett Anderson describes the album as "broken music for broken people," exploring themes of anxiety, disconnection, and the search for meaning in a fragmented world.

Track list
Disintegrate
Dancing With the Europeans
Antidepressants
Sweet Kid
The Sound And the Summer
Somewhere Between An Atom And A Star
Broken Music For Broken People
Criminal Ways
Trance State
June Rain
Life Is Endless, Life Is A Moment
 
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"At the artist’s request, we won’t be live streaming Neil Young’s set.”

A day before Glastonbury Festival officially gets underway, the BBC has confirmed it won’t be showing Neil Young’s headline set on the Pyramid Stage on June 28th. In a statement provided to Far Out, a spokesperson for the BBC confirmed: “On Saturday on BBC iPlayer, our Glastonbury Channel and five streams for the main stages will bring a range of live performances to audiences. At the artist’s request, we won’t be live streaming Neil Young’s set.” The statement continues, “Our plans, including those for our TV highlights shows and on-demand coverage, continue to be finalised right up to and during the festival.”




I always thought he was an arse.
 

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To mark the centenary of Sergei Eisenstein’s legendary silent film, “Battleship Potemkin”, a restored version made by Deutsche Kinemathek, featuring the celebrated score by Tennant and Lowe of Pet Shop Boys, will be released for the first time in cinemas and on a two-disc Blu-ray and CD package by the BFI.

https://wmg.lnk.to/psb-battleshippotemkin

On 22 August 2025, “Battleship Potemkin” will open in selected cinemas in the UK and Ireland. Ahead of a week-long run, a special double screening event, at BFI Southbank on Friday 5 September 2025 at 6.30pm, will begin with Pet Shop Boys’ feature film “It Couldn’t Happen Here” (1988), in memory of its late director, Jack Bond, followed by a Q&A with Neil Tennant, hosted by Paul Tickell, and then a screening of "Battleship Potemkin".

5 September is also the release date of the BFI’s Blu-ray package of the film, containing both a Blu-ray disc and a CD of the score, along with extra features and an illustrated booklet. Simultaneously, Parlophone will release the score on remastered CD and on vinyl for the first time on a double LP. All three formats are available to pre-order now.

The special features on the Blu-ray and CD are:

• Hochhaussinfonie (2017, 68 mins): a multimedia musical production by the Dresdner Sinfoniker orchestra and Pet Shop Boys, conceived by Markus Rindt and directed by Sven Helbig, on the evening of July 20, 2006, in Dresden
• Trafalgar Square Highlights (2004, 4 mins): a behind-the-scenes film when Pet Shop Boys performed their newly composed score for Battleship Potemkin, accompanied by the Dresdner Sinfoniker orchestra in Trafalgar Square, London
• Trailer (2025)
• A limited edition illustrated booklet featuring new writing by Chris Heath and Sarah Cleary, and archive pieces by Neil Tennant and Michael
 
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Great news for electronic music makers of a retro persuasion, or simply those who are looking for something ‘new’ to try – the Commodore 64 is back.

Yes, no more trawling eBay and car boot sales for you. Now – courtesy of a reborn Commodore – you can purchase a perfect, new, improved 2025 incarnation of the best-selling home computer from 1982, and literally get back to the future. The Commodore 64’s MOS Technology 6581 Sound Interface Device (better known as the SID chip) had a sound all of its own, breathing life into video games and music programs and knocking the basic bleeps of its rival Sinclair ZX Spectrum into a cocked hat.

Musically the C64 certainly had the edge, and, armed with the new chip’s polyphonic power composers such as Chris Huelsbeck ran wild, creating genuine soundtracks for video games (do check out his legendary work on Turrican) for the first time. The rebirth of Commodore comes courtesy of YouTuber Christian Simpson who originally only sought a licence to create an emulation but ended up buying the entire Commodore brand, its logos and the rights to all of its creations. And his first hardware off the block (alongside a raft of T-shirts, sweatshirts and other branded retro goods) is the new C64 available in Basic, Starlight, and Ultimate Founders Edition forms.

The company now intends to begin shipping their first hardware in October of 2025.

 
nursing this hangover and having Taylor in the background damn this lady just listening to hr in natural self was really cool

 
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The banjo virtuosos have come together for their first collaborative album, Safe, Sensible and Sane, out on Oct. 17th.

“We got together and played music for days, and ended up making a record where our entire banjo histories coalesce," Martin said.


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