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for which one?Hmm, it's telling me it can't do anything, the profile is locked![]()
for which one?![]()
Primary user? I guess you mean an admin?Primary user although I still have to type the password when I want to do something funky. Either ways, even if I sync them, I know for sure one of them is way out, so I still don't know if I'm seeing the right colours. That said, the pictures on the Acer look much closer to what I remember it looking like, but then, the camera itself is still a variable.
I'll see if they have the SpyderExpress too - I can get it off Amazon but I want it now!
Neither of us have an iMac.Apple lied about having millions of colours on their iMac range. If trust is involved then I would guess Apple should be excluded.
If the Huey is anything like the Spyder2 a lack of inexperience with calibrating shouldnt matter - it will do it all for youWell, I ended up getting the hueyPro since the non-pro one can only do one monitor. Well now both screens look bad. After fiddling with this, I was able to use Apple's calibration thingy, which gave me pretty horrible results too. For now I'll give both of them the benefit of the doubt and put it down to me not knowing what the hell I'm doing. Because I don't - I've never toyed with these things before.
The calibration should adjust contrast for you but if you want a little boost you can do that under universal access.One thing I did realise is that the difference between the two screens is probably mostly down to a lack of contrast on the MacBook. During the calibration procedure, I was asked to adjust the contrast - how do you do this on the Mac? There's only a slider for brightness?
I calibrate my screens (LCD's, CRTs and my plasma) using the same lighting conditions I plan to be working (viewing) under.
Maybe the (horrible) glossy screen on the MB interfered with it?
Good luck - a well calibrated screen makes all the difference (and then making sure you use the correct browser when you view the photos online . . . if you're embedding profilesI've done some reading on this and the general opinion is worrysome. The screens they sells us are crapPart of the problem is that most notebook LCDs and cheaper stand-alone LCD screens are 6bit per channel, which may or may not confuse all but the most expensive screen calibrators.
This post mentions the colour cast I see and suggests that on glossy displays putting the calibrator in horizontal position, instead of vertical, gives good results. I'll give it a try tonight.
Good luck - a well calibrated screen makes all the difference (and then making sure you use the correct browser when you view the photos online . . . if you're embedding profiles)
That is controlled via the export presets.Speaking of which, does Aperture embed the profile when you export as JPEG? If so, can you tell it not to if you're exporting for web?
Have to do some testing but in general I use sRGB.OK, so which profile (under "ColorSync Profiles") should I use to omit the profile? Generic RGB Profile?