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I'd stick with MiniDV tape recording. You can keep the tape aside as archival storage.
Recording to hardisk sucks IMHO.
I agreeI'd stick with MiniDV tape recording. You can keep the tape aside as archival storage.
Recording to hardisk sucks IMHO.
Not sure why you think it sucks ... it works great ... is easy and quick to transfer to PC ... and if you're not doing some hectic editing ... it is already compressed so you don't have to sit there and wait for it to be compressed to a format suitable for DVD ... all that will happen when you put it on DVD is that is will seperate the video and sound to the two files.
Nonsense. MiniDV tape carries two types of info. 1. SD (standard DV) with DV compression (around 5:1 compression ratio, but with separate frame info, despite inter frame compression)It's already compressed which means it's already crappy. MiniDV tape holds UNCOMPRESSED video footage which means you have a perfect master,
you also have an archival copy you can lock away and recapture if you ever need to.
Well no, because HD-DVD and Blu-ray can both contain MPEG2. You'll need to change the container only, not the data.If you're talking about HDV - MPEG2 compressed video and you want to burn that to a HD-DVD or BD you will need to recompress it to AVC MPEG4 anyway.
Yes and no. It largely depends on the quality of your encoder. In any case, you can always archive the data in it's native format after editing.If you're talking about SD MPEG2, upon editing you will have to re-encode the video for DVD anyway. Both of these processes mean quality loss.
There are no "uncompressed/semicompressed" formats in the HD space, until you get to HDCAM... and I don't think that budgets will go there...Yes HD camcorders are crappy. Rather record in a uncompressed/semi compressed format, edit, render and re-encode. That's the way its done
with productivity apps.
Nonsense. MiniDV tape carries two types of info. 1. SD (standard DV) with DV compression (around 5:1 compression ratio, but with separate frame info, despite inter frame compression)
2. HD (HDV) with MPEG2 compression. HDV has much more agressive compression with larger GOP, making editing a bit more complex.
There is no consumer digital format that uses "UNCOMPRESSED" video.
Well no, because HD-DVD and Blu-ray can both contain MPEG2. You'll need to change the container only, not the data.
Yes and no. It largely depends on the quality of your encoder. In any case, you can always archive the data in it's native format after editing.
There are no "uncompressed/semicompressed" formats in the HD space, until you get to HDCAM... and I don't think that budgets will go there...
HDD cameras are not better or worse than HDV cameras in themselves... the difference is mainly the codec used. AVC is much more efficient than MPEG2, but more difficult to decode and with a longer GOP, making editing difficult without fully decompressing.
HDD is more than enough for you.
er no.Nonsense eh?
DVCPRO HD, also known as DVCPRO100, which is the format Pansonic uses on it's P2 cards. The Prosumer camcorder HVX200 from Panasonic uses this scheme for full 1920by1080i or p video not 1440by1080 HDV. This format does not use MPEG2. The data rate is 100Mbit/sec. Outside of South Africa, the HVX200 is a pretty common camera used by both ENG and event videographers. You don't need to dish out $25.000 for an HDCAM camcorder.
Obviously this format will become cheaper with successive generations of Panasonic prosumer cameras.
source: wikipediaDVCPRO HD, also known as DVCPRO100, uses four parallel codecs and a coded video bitrate of approximately 100 Mbit/s, depending on the format flavour. DVCPRO HD encodes using 4:2:2 color sampling. DVCPRO HD prefilters the 720p image from the DSP to a recorded size of 960x720, and 1080i is prefiltered to 1280x1080 for 59.94i and 1440x1080 for 50i. This is a common technique, utilized in most tape-based HD formats such as HDCam and HDV. The final DCT compression ratio is approximately 6.7:1. To maintain compatibility with HDSDI, DVCPRO100 equipment upsamples video during playback. A camcorder using a special variable-framerate (from 4 to 60 frame/s) variant of DVCPRO HD called VariCam is also available. All these variants are backward compatible but not forward compatible. There is also a DVCPRO HD EX format, which runs the tape at slower speed, resulting in twice as long recording times. DVCPRO-HD is codified as SMPTE 370M; the DVCPRO-HD tape format is SMPTE 371M, and the MXF Op-Atom format used for DVCPRO-HD on P2 cards is SMPTE 390M.
true. but horses for courses - having footage on sd card kinda suffers from the same issue - not to mention that HDD space is cheaper than solid state. Also I don't think you should compare a R12000 camera with one that costs over R40,000 (? I haven't checked on the local price.. might be a bit more.. or slightly less), it is a bit disingenuous. Real comparison should be between P2 and prosumer HDV, or the new PC Express format announced recently. (http://ibc.broadcastnewsroom.com/articles/viewarticle.jsp?id=189618)Having native tape backup beats the 'convenience' of recording to a harddrive. The PATA harddrive on the camcorder can achieve a faster rate than capturing from MiniDV tape (3.6MB/sec)? You still need to copy the data from the harddrive to your PC's/Mac's harddisk to edit it.
Thanks for the input, so you recon the SR5 is the best option, as I just want something to record to HDD, and I have premiere if I wish to edit the video. Is the 40GB HDD sufficient and what length of movie can you record on it?