General Photography

Definitely not that guy was full of sht, I've never heard of a sporting event especially not kids where only designated photographers are allowed to take pics and everyone else is barred from doing so. Yes they may restrict you from standing in some areas but if you want to take pics from any other vantage points go for it. I'd wager the guy was also talking bs that he paid R12k to get the rights to be the photographer, I've never heard of that happening especially not for kids sports, normally it's the other way or the photographer makes his money from the sale of their pics. He'd really struggle to break even if he's paying R6k a day just to be there excluding any expenses getting there and covering his costs.
What did the tournament organisers have to say?
 
Definitely not that guy was full of sht, I've never heard of a sporting event especially not kids where only designated photographers are allowed to take pics and everyone else is barred from doing so. Yes they may restrict you from standing in some areas but if you want to take pics from any other vantage points go for it. I'd wager the guy was also talking bs that he paid R12k to get the rights to be the photographer, I've never heard of that happening especially not for kids sports, normally it's the other way or the photographer makes his money from the sale of their pics. He'd really struggle to break even if he's paying R6k a day just to be there excluding any expenses getting there and covering his costs.
What did the tournament organisers have to say?

Organisers never even got involved.

Which is why I never bothered to stop taking photos. So my guess would be that he tried taking it up with them and they told him they can't stop parents from taking photos of their kids.
 
The guy then told me that they had paid R12'000 to be the photographers of the tournament.
That's more than possible. I've worked these sort of events before and they [try to] make back their money with team photos as well as action. Some parents will buy anything - even an errant blurry arm barely visible in the frame.

But when I started taking photos from the side (and through the fencing on some of the courts), they quickly hurried over to me and informed me that nobody was allowed to take photos.
It happens at big events too. CSA can get pretty strict when it comes to protecting their rights holders. Take a video of a match and post it on social media and watch how quickly it gets taken down.

If you want to stick it to them revoke any permission to photograph your child.
Was I in the wrog here?
Nah.

Obviously the only issue here was that I had similar or better equipment than them and they knew they would not be making any money from our team.
This is what usually sets them off - they don't really care about cellphones or even something like a consumer level mirrorless/dslr - but break out a beige lens and they'll crap a brick.
 
A couple of years after selling my Nikon Z6ii, I’ve never really gotten over the seller’s remorse, and want to get back into photography. Will admit that I had a bit of buyer’s remorse, too, because I really wanted the R6 at the time, but couldn’t justify dropping another £500 just on the body at the time (the Z6ii with 24-70 f4 kit lens was £500 cheaper than the Canon body). The Z6ii did the job, I enjoyed using it regardless, and was sad to see it go.

So, fast forward to today, and while the Z6iii with its partially stacked sensor is a beast, it’s just way too expensive. The newish Z5ii just completely blows the Z6ii that I had out of the water in just about every department. I didn’t keep anything when I sold my Z6ii, so will need to start over from scratch.

This puts me in a bit of a position, because the R6 MK3 announcement is imminent, and while it’s probably going to be a midrange monster, I’m more interested in the R6 MK2 that precedes it that will most likely have a significant price drop (either once the MK3 drops, or during Black Friday/Cyber Monday next month). It’s still an amazing camera after almost 3 years.

My issue is I’m not sure whether or not I should go for the R6 MK2 if it drops in price similar to what the Z5ii is currently going for. I just remember how good the original R6 felt in hand when I tested it in store years ago. The Z6ii ergonomics were also amazing (it felt really solid, grip amazing, etc), so going for a Z5ii would be seamless, and I already know my way around everything.

There are obviously pros and cons to both: I’d be tied into an ecosystem (familiar with Nikon, and not extensively used Canon since my 550D), and that means the lenses, too. Nikon now has an amazing lineup of Z lenses, and is also open to 3rd parties, so can keep the cost down. Canon, however, refuses to open their mount for 3rd parties, and RF lenses are eye wateringly, even prohibitively expensive.

I’m by no means a prosumer, I just want something nice for travel, birding, portraits, maybe a bit of sport/cars. The Z5ii covers all those bases with the Expeed 7 processor and autofocus capabilities of the higher up models, as well as the very capable BSI sensor from the Z6ii. What it lacks is a top screen (which was handy, but not a deal breaker) and it doesn’t have a magnesium alloy body. The R6 MK2 has the Digic X processor, amazing autofocus, amazing in-hand feel, a great (newer) sensor - but it’s FSI.

So, which would YOU go for? Only thing holding me back from going for the R6 MK2 is the cost of RF glass (and obviously the body cost until it drops). Yes, I could adapt to EF as well, but a lot of the EF glass is also comparatively expensive.
 
A couple of years after selling my Nikon Z6ii, I’ve never really gotten over the seller’s remorse, and want to get back into photography. Will admit that I had a bit of buyer’s remorse, too, because I really wanted the R6 at the time, but couldn’t justify dropping another £500 just on the body at the time (the Z6ii with 24-70 f4 kit lens was £500 cheaper than the Canon body). The Z6ii did the job, I enjoyed using it regardless, and was sad to see it go.

So, fast forward to today, and while the Z6iii with its partially stacked sensor is a beast, it’s just way too expensive. The newish Z5ii just completely blows the Z6ii that I had out of the water in just about every department. I didn’t keep anything when I sold my Z6ii, so will need to start over from scratch.

This puts me in a bit of a position, because the R6 MK3 announcement is imminent, and while it’s probably going to be a midrange monster, I’m more interested in the R6 MK2 that precedes it that will most likely have a significant price drop (either once the MK3 drops, or during Black Friday/Cyber Monday next month). It’s still an amazing camera after almost 3 years.

My issue is I’m not sure whether or not I should go for the R6 MK2 if it drops in price similar to what the Z5ii is currently going for. I just remember how good the original R6 felt in hand when I tested it in store years ago. The Z6ii ergonomics were also amazing (it felt really solid, grip amazing, etc), so going for a Z5ii would be seamless, and I already know my way around everything.

There are obviously pros and cons to both: I’d be tied into an ecosystem (familiar with Nikon, and not extensively used Canon since my 550D), and that means the lenses, too. Nikon now has an amazing lineup of Z lenses, and is also open to 3rd parties, so can keep the cost down. Canon, however, refuses to open their mount for 3rd parties, and RF lenses are eye wateringly, even prohibitively expensive.

I’m by no means a prosumer, I just want something nice for travel, birding, portraits, maybe a bit of sport/cars. The Z5ii covers all those bases with the Expeed 7 processor and autofocus capabilities of the higher up models, as well as the very capable BSI sensor from the Z6ii. What it lacks is a top screen (which was handy, but not a deal breaker) and it doesn’t have a magnesium alloy body. The R6 MK2 has the Digic X processor, amazing autofocus, amazing in-hand feel, a great (newer) sensor - but it’s FSI.

So, which would YOU go for? Only thing holding me back from going for the R6 MK2 is the cost of RF glass (and obviously the body cost until it drops). Yes, I could adapt to EF as well, but a lot of the EF glass is also comparatively expensive.


My thoughts, get what you want without thinking about price else you'll have buyer's remorse as well as seller's remorse :)

True!
 
So, which would YOU go for? Only thing holding me back from going for the R6 MK2 is the cost of RF glass (and obviously the body cost until it drops). Yes, I could adapt to EF as well, but a lot of the EF glass is also comparatively expensive.
You get a lot of reasonably priced EF glass these days. I don't own a single RF lens.

I got my R6mk2 just before the cricket world cup from Amazon back in 2024 for $2000 and it was money well spent.

Next up for me is the R7mk2... whenever that gets released.
 
You get a lot of reasonably priced EF glass these days. I don't own a single RF lens.

I got my R6mk2 just before the cricket world cup from Amazon back in 2024 for $2000 and it was money well spent.

Next up for me is the R7mk2... whenever that gets released.

Also with glass I guess I could always look in the used market. Does EF glass perform reasonably well then?
 
I use some of my EF glass with Fuji via fringer addapter and had no issue with it so I'm guessing with RF conveter it can only be better.
Which lenses do you use and how does the AF performance compare to native Fuji lenses?
 
I just want something nice for travel, birding, portraits, maybe a bit of sport/cars.
Hopefully not adding further confusion to the matter, but with these uses an APS-C sensor may also be to your advantage due to the crop factor, except for portraiture of course.
 
That exception doesn't make sense.
Some people want a very shallow depth of field for portraiture, and purposely go for larger sensors to help in achieving this. Personally I think that this pursuit can go too far.
 
Some people want a very shallow depth of field for portraiture, and purposely go for larger sensors to help in achieving this. Personally I think that this pursuit can go too far.
I don't think many people would notice the difference.
 
Which lenses do you use and how does the AF performance compare to native Fuji lenses?
Focus speed is satisfactory, I would say same as with 5dmk2, macro is sometimes hunting but I gelieve they all do reagardless of body.
Overall I'm happy to use them.
EF 100mm f/2.8 L IS makro, I maged to take some videos with it besides stills and it tracked in continuous focus.
EF 300 mmf/2.8 no issues with focus,
EF 50mm f/1.2 also no issues.

1760864308984.png

1760864291298.png
 
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Hopefully not adding further confusion to the matter, but with these uses an APS-C sensor may also be to your advantage due to the crop factor, except for portraiture of course.
Nothing beats when you slap 85mm f/1.2 on full size sensor however 56mm f/1.2 on fuji is equally satisfactory.
Still have my canon lenses but now I mostly take them when I use film bodies, for everything else nothing beats two fuji bodies with 23mm f/1.4 and 56mm f/1.2 size/weight wise in a small bag.
 
Some people want a very shallow depth of field for portraiture, and purposely go for larger sensors to help in achieving this. Personally I think that this pursuit can go too far.
It could be, this is 85mm or 50mm ( do not remember any more) wide open at f/1.2 shot with EOS3 at one of galieries many years ago.
1760865522585.png
 
Focus speed is satisfactory, I would say same as with 5dmk2, macro is sometimes hunting but I gelieve they all do reagardless of body.
Overall I'm happy to use them.
EF 100mm f/2.8 L IS makro, I maged to take some videos with it besides stills and it tracked in continuous focus.
EF 300 mmf/2.8 no issues with focus,
EF 50mm f/1.2 also no issues.
View attachment 1856687
View attachment 1856686

View attachment 1856685
Nice, the only drawback using EF lenses is the gargantuan size relative to Fuji lenses, I love how lightweight the Fuji system is.
 
Hopefully not adding further confusion to the matter, but with these uses an APS-C sensor may also be to your advantage due to the crop factor, except for portraiture of course.
I've done APS-C before (EOS 550D and a6400). I just prefer the look and feel of 35mm that I had with my Z6ii.
 
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