Some test shots: Canon G9 and Pentax K20D

koffiejunkie

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I was out shopping for various accessories today, and while in my favourite camera shop, I took a chance to play with the G9 and K20D.

On the G9 I was specifically interested in high-ISO performance and sharpness. I'm not disappointed.

Canon G9, ISO 200, 44.4mm (max), f/4.8, 1/4s with IS. I had it rested on the service desk, and had the shutter on 2 second delay to minimise shake from me squeezing the trigger, but it may still have moved somewhat:


And a 100% crop:


Canon G9 (12MP), ISO 1600, 44.4mm, f/4.8, 1/125 with IS, hand-held.:


And a 100% crop:


With the Pentax I was just fooling around, I was more interested in how it feels and where various controls are, but this picture is notable anyway. I've praised the Pentax 18-55mm kit lens before, and this shot, I think, shows why:

Pentax K20D (14MP on a 1.5x crop), ISO800, 18mm, f/5.6, 1/30 with SR on, hand-held:


And a 100% crop:
 
P&S lowlight - eish!

why don't they just keep the p&s at 6mp?
wouldn't they be able to do better lowlight with half the pixels?
 
I meant the camera companies. Their P&S cams were grainy at hi ISO, back when they were 6MP. Now they're 12MP and grainy at hi ISO. Would today's tech not allow them to make a P&S with better lowlight if it had a 6MP sensor? Maybe not. I'm not an electronics PhD. I just hope they aren't sacrificing lowlight for MP. Who needs 12MP on a P&S? You need lowlight, though.
 
I meant the camera companies. Their P&S cams were grainy at hi ISO, back when they were 6MP. Now they're 12MP and grainy at hi ISO. Would today's tech not allow them to make a P&S with better lowlight if it had a 6MP sensor? Maybe not. I'm not an electronics PhD. I just hope they aren't sacrificing lowlight for MP. Who needs 12MP on a P&S? You need lowlight, though.

People buy megapixels these days. As soon as a sales representative tells someone they're getting a camera with 12 megapixels for relatively cheap, they'll have their credit cards out in no time.
 
Who needs 12MP on a P&S? You need lowlight, though.

Mom&pop who thinks it will make their pictures look better. SIGH...

I know what you meant. I just meant that I should have tested it at lower rez toe see if it makes a difference. I've done this with my 40D, and although the shots were just informal snaps, it does seem to make a difference.

I'm wondering, why make an ISO range at all? Would it not make more sense to make a sensor that can do only one sensitivity - say 1600, but do it bloody good? I mean, making faster shutters and smaller apertures is far easier.

I guess that would hurt the DSLR market far more than the high rez P&S "bridge" cameras do.
 
That said, however, this G9 looks pretty good. Noise is far lower than on any P&S I've ever seen. And it's loads sharper. The images I posted were converted from RAW with Aperture, but the JPEGs are fairly close - it outputs fairly high quality JPEGs.
 
Mom&pop who thinks it will make their pictures look better. SIGH...

I know what you meant. I just meant that I should have tested it at lower rez toe see if it makes a difference. I've done this with my 40D, and although the shots were just informal snaps, it does seem to make a difference.

I'm wondering, why make an ISO range at all? Would it not make more sense to make a sensor that can do only one sensitivity - say 1600, but do it bloody good? I mean, making faster shutters and smaller apertures is far easier.

I guess that would hurt the DSLR market far more than the high rez P&S "bridge" cameras do.
A digital camera has one native ISO - make it too high and you'd probably need either incredibly fast "shutters" or a pinhole size aperture even in normal light.
 
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A digital camera has one native ISO - make it too high and you'd probably need either incredibly fast "shutters" or a pinhole size aperture even in normal light.

I know that. But by making the sensors better at the higher ISO (whichever way they get there) must ultimately compromise the native ISO. I don't see fast shutters and really small apertures as being a problem, especially in Point&Shoots. The mechanics are much much smaller, and can be moved around much easier.
 
They can use neutral density filters in the camera. (video cams do this - the have settings like "ND1" "ND2" on the cam)
 
I know that. But by making the sensors better at the higher ISO (whichever way they get there) must ultimately compromise the native ISO. I don't see fast shutters and really small apertures as being a problem, especially in Point&Shoots. The mechanics are much much smaller, and can be moved around much easier.
I'd prefer not to have to sacrifice when it comes to DOF.
 
I'd prefer not to have to sacrifice when it comes to DOF.

I was talking about point&shoots. They have huge DOF anyway. There are a number of reasons why this would be bad for SLRs. DOF and long shutter times comes to mind.
 
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